Archive for the ‘Release’ Category

Universal Everything presented by Sedition & The Hospital Club

Walking City CitizensWalking City Citizens, 50 Unique Iterations, HD Video, 2014

Sedition is pleased to partner with The Hospital Club to present digital art and design studio Universal Everything’s first comprehensive solo-exhibition in the UK. The show surveys both new and less recent work that spans a variety of disciplines and media, with the exhibition moving fluidly from film direction and identity design to mobile software art and site-specific installations.

At the viewer is presented with explorations of the body and its movement through the use of motion-tracking technologies, such as in the ‘Presence’ series (2013), and witnesses the mapping of textures onto the human form with ‘Transfiguration’ (2013), and ‘Walking Cities’ (2014). Other works are interactive audio- visual installations or apps enabling a spectator to participate in the creative process; like ‘76 Seeds’ (2011), an instructional drawing app, and ‘Gliders’ (2014), an interactive installation inviting the viewer to design a flying creature. ‘Voxel Posse’ (2011), a series of 3D printed vector creatures, explores elements of the human form through abstract shapes and is an illustration of the studio’s physical body of work that mirrors its digital projects. Alongside these works, Universal Everything presents their voice-reactive sculpture ‘Transformer’ (2014), an interactive work reacting to spectator’s audio input; and ‘Seeds’ (2011), a series of botanical drawings by founder Matt Pyke based on a set of automatically generated and seemingly incongruous digital instructions, its methodology referencing 20th century Dada and Fluxus.

For the exhibition, Sedition has launched a new artwork by Universal Everything. Walking City Citizens is a work created exclusively for Sedition which includes 50 unique iterations of their most recent work Walking City (2014). Walking City is a 3D human shrouded in a digital costume shifts and breaks, reshapes and endlessly evolves into a  video sculpture that continuously walks in the centre of the screen.

Transfiguration’, ‘Presence 2.1’, ‘Presence 5.1’, ‘Walking City Citizens’ are available as digital editions on All other works in the exhibition are available for purchase through The Hospital Club.

Universal Everything, The Hospital Club Gallery, 23 May until 26 May 2014, 11:00am until 6:00pm, sponsored by LG and Laurent Perrier. Join us for the private view 22 May 2014, 7-9pm. RSVP is essential:


Déjà Vu: Chinese Artists in Moving Images Launching at Art Basel Hong Kong


Sedition, is delighted to announce a partnership with LEAP, the bilingual art magazine of contemporary China, and iArt, the digital edition of The Art Newspaper China, which are both published by Modern Media Group. LEAP and iArt, in association with Sedition will present Déjà Vu: Chinese Artists in Moving Images.

Déjà Vu is a digital collection curated by LEAP and iArt featuring works by five young Chinese artists working in moving image. The exhibition will be featured in The Art Newspaper China’s iArt App and will be launched online on Sedition and at Art Basel Hong Kong 2014. Sedition is also pleased to announce the launch of the Chinese language version of the site, and the Sedition iPhone/iPad and Android Apps in Chinese for a new audience.

The multimedia works featured in the collection stem from the various motivations and inspirations of the artists, drawing from daily life, social and political experience, art history, and patterns from their past creations. Within collective cultural discourse, these works represent the texture of the uncertain reality of the world in which we live. The synesthesia and intertextuality that we recognize among them equate to uncanny evidence of a connection to our own experiences. Déjà Vu.

Globalization enables the inception of a shared “cloud” of knowledge, visual experience, and references. In their practices, these artists, especially those who were born in the 1980s, inevitably adopt some of these shared elements. However, due to geographical, linguistic, and cultural barriers, the artists transpose these elements by combining them with the symbols generated from their native cultural background. Presented via moving images, these works provide viewers with a synchronous and ceaseless access to this transposition. The resonance that occurs with the perception of the transposition, alongside the confusion, adds another layer to the déjà vu.

As a result of the proliferation of digital media and virtual reality, our vision of the world has become more vivid and sharp, yet more distant and ambiguous at the same time. While we witness the fractions of our lives that happen right in front us, we already see them in our mind.

Artists in the collection include: Chen Zhou, Cheng Ran, Fang Lu, Guan Xiao, and Kwan Sheung Chi.

The Déjà Vu Collection will launch online at and at the Post Vernissage Party of Art Basel Hong Kong 2014 co-hosted by Modern Media and K11 Art Foundation on 14th May 2014 at Grand Hyatt, Hong Kong, 1 Harbour Road, Hong Kong, China, at 9pm. The works will be available for purchase as digital limited editions exclusively on Sedition from 15th May. Works from Sedition can be easily displayed on any smartphone, tablet, TV or computer – presenting an innovative way to collect art in the digital age.

Works will be displayed at the Modern Media booth at Art Basel Hong Kong, Booth: P3 and will be on display for the duration of the fair from 15-18th May at the Hong Kong Convention and Exhibition Center.

Follow LEAP on Sedition to receive an invitation to the 24-hour online private view:

Sedition x Eyebeam Presents: The New Romantics Collection

Ryan Whittier Hale, Shifting Landscape, digital edition, 2014

Sedition has partnered with Eyebeam, Art & Technology Centre in New York to present The New Romantics Collection. The collection includes exclusive artworks by artists in The New Romantics exhibition curated by Claudia Hart, Nicholas O’Brien, and Katie Torn that opens at Eyebeam from 17 April – 10 May 2014. The collection will launch on Sedition on 8th May 2014 and at the closing reception of the exhibition during Frieze New York.

The New Romantics is an exhibition and collection exploring the ways in which contemporary artists using digital media engage the body, representations of nature, poetic irony, and expressions of individuality as originally expressed in 19th Century Romanticism. By drawing equivalences between then and now, this exhibition identifies a critical precedent for artists today that are responding to their ever changing technological environment. Just as the Romantics responded to the industrial revolution, this group of artists are similarly responding to the information revolution.

The New Romantics presents a unique selection of works by artists not based on formal similarities, but on expressive affinities. By employing a myriad of contemporary techniques – including digital fabrication, 3D simulation, software-based collage, video game engines, and peer to peer networking tools – the artists in the collection expose an underlying thread of individual expression that extends beyond mere tech-fetishism.

The New Romantics Collection includes work by artists: Tim Berresheim, Ryan Whittier Hale, Claudia Hart, Sophie Kahn, Sara Ludy, Shane Mecklenburger, Jonathan Monaghan, MSHR and Katie Torn.

The closing reception will take place 8th May at 6-9pm at Eyebeam, 540 W 21st St. New York, NY 10011.

Follow Eyebeam on Sedition to receive an invitation to the 24-hour online private view:

New Sedition Apps for iOS & Android


We’re excited to launch major new updates for our iOS  (version 6.0) and Android (version 3.0) apps. The new app provides access to an unparalleled world of art at your fingertips. Discover art, artists, share, purchase and enjoy limited editions created in digital media by the world’s greatest contemporary artists including Damien Hirst, Tracey Emin, Mat Collishaw, Yoko Ono, Bill Viola, Aaron Koblin, Casey Reas and many more.

The Sedition app is available for free on the iTunes and Google Play stores and it allows members to explore artworks in still and moving image formats, view edition sizes and price and add artworks to the collector’s Vault. Once purchased, the collector obtains a certificate of authenticity with the edition number and the artist signature. The Vault feature allows downloads of the artworks onto your device for offline play and it also enables collectors to curate their own playlists as art exhibitions to be enjoyed at home or on the go.

Key Features:
- Discover the latest art editions added to the Sedition Curated selection every month
- Browse weekly Featured artworks
- Explore the Sedition Curated artists


- View artwork details and purchase your own editions
- Share artworks on Facebook and Twitter


- Explore artists profiles with biographies and images


- Manage your Vault
- Choose and download artworks to your device to view offline


- View the artwork file size so you can optimise space on your device


- Create and curate playlists and enjoy your art collection


Download the new Sedition App now:

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Mark Amerika and Shu Lea Cheang exhibition at London’s Furtherfield Gallery

Mark Amerika (b.1960) opens exhibition with fellow ‘net native’ artist Shu Lea Cheang at London’s Furtherfield Gallery on 31 August. Amerika is a US-based media artist, novelist and theorist who has been exploring the nature and possibilities of the internet and how virtual communication and reality interact with and affect everyday life since the early 1990s. He is known as a pioneer of virtual concepts, creativity, and communication – and the possibilities that all of the latter offer the individual in a postmodern world.

8-Bit Heaven
, Mark Amerika, 2012

 Featured in the exhibition are three works from Amerika’s Museum of Glitch Aesthetic (MOGA) series: Lake Como Remix, The Comedy of Errors and 8-Bit Heaven. Museum of Glitch Aesthetic was originally commissioned by Abandon Normal Devices for the 2012 AND Festival.  These are shown alongside two pieces by Shu Lea Cheang.

Lake Como Remix
, MOGA (2012)
by Mark Amerika

Amerika has also launched two new digital editions on Sedition to coincide with the exhibition: #NewAesthetics TV (Extended Play Remix) from the MOGA series and Honolulu Hermes, two new works available exclusively on Sedition in editions of 300.

#NewAesthetics TV (Extended Play Remix)
 by Mark Amerika

In his career, Amerika been named named a “Time Magazine 100 Innovator” in their continuing series of features on the most influential artists, scientists, entertainers and philosophers into the 21st Century. His work has been exhibited internationally at venues such as the Whitney Biennial of American Art, the Denver Art Museum, the Institute of Contemporary Arts in London, and the Walker Art Center. In 2009-2010, The National Museum of Contemporary Art in Athens, Greece.

If you happen to be in London, don’t miss the exhibition that will be running until 20 October at Furtherfield Gallery – McKenzie Pavilion, Finsbury Park, London N4 2NQ. For more information visit the gallery website. 

Tracey Emin’s exclusive digital artwork raises funds for the NSPCC

TraceyEmin-ThisisMyFavouriteLittleBird_on tablet

Tracey Emin’s exclusive digital limited edition on Sedition raises vital funds for the NSPCC – the UK’s leading children’s charity specialising in child protection.

For every digital edition sold of Tracey Emin’s This is My Favourite Little Bird, the full retail price (£50) will be donated to the NSPCC to support its post-abuse therapeutic services for vulnerable children and young people across the UK.

The artwork is a 1 minute 25 seconds digital animation featuring a tiny bird that recalls the cool-blue neon that Emin created in 2010 for the façade of London’s Foundling Museum. The image unfolds upon a gently-creased fabric, and it is as if we are encountering the invisible hand of the artist embroidering the outline of a bird perched on a leafy branch. The scene is punctuated by a rainbow of multi-coloured flowers that emerge above, while the work’s title is delineated in Tracey’s handwriting below.

Tracey Emin said: “I have always supported the NSPCC. The Sedition project was exciting and inventive. The Little Bird is one of my favourite images. A small fledgling. I was more than happy to donate this to the NSPCC.”



_MG_9027Photo credit: Jon Challicom

Funds raised from sales of the digital limited edition will go towards the NSPCC’s Rebuilding Childhoods Appeal, created to help fund post-abuse therapy for children.

To view and purchase the work visit:

Prosopopoeia by Mat Collishaw, a commission for The London Edition

Prosopopoeia by Mat Collishaw Displayed on a TV

(Photo credit: Prosopopoeia by Mat Collishaw displayed on a TV)

Sedition has partnered with Edition Hotels for the opening of The London Edition Hotel located in London’s Fitzrovia. In celebration of the opening on September 12th, British artist Mat Collishaw was commissioned by Edition Hotels to create an exclusive digital limited edition available only on Sedition.

Prosopopoeia is a stunning video work that represents an illuminated diamond slowly rotating before a black background. Within the diamond are reflections of flowers – many of them Collishaw’s beloved orchids – that glitter and break up into prisms. The flowers catch fire, burn up, drown in luscious leafy green only to reappear in another rotation of the precious stone.

The work is available exclusively for friends of The London Edition. Prosopopoeia is currently not for sale but you can view and enjoy this stunning piece on the Sedition website or add it to your Wish List to receive the latest updates about the work.

New Artist: Mary Katrantzou

Pound by Mary Katrantzou


In an exciting collaboration with s[edition], Mary Katrantzou has created her first digital artwork. The Greek fashion designer with a background in architecture and a textile design degree from Central Saint Martins is best known for her exceptional print designs that characterize her ready-to-wear collections. She transcribes themes onto fabric that accumulate into a visual play of illusions: objects mirror each other in obscured proportions and create a fascinating and fantastic world of colour and beauty.

For Pound, Katrantzou uses a similar system as when creating her textiles: she chooses an unwearable object – a pound note – and makes it the central theme of her design. She appropriates, changes and plays with it until it generates a completely new form. Pound is a collage of many fragments of English pound notes that are fused into a magical whole that is then animated according to the rules of a kaleidoscope. We watch as the screen before us explodes again and again in new and surprising shapes and forms. The effect is hypnotic, fascinating, and stunningly beautiful all at once.

The work is available in editions of 1,000 starting at £10 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases. Pound is one of four exclusive digital limited editions curated by the ICA. All proceed for this work will benefit the ICA.

Mary Katrantzou

Fashion designer Mary Katrantzou (b.1983, Athens) studied for a BA in Architecture at the Rhode Island School of Design before transferring to Central Saint Martins, London, where she completed her degree in Textile Design in 2005 and graduated with a MA with Distinction in Fashion in 2008. Her first ready-to-wear collection debuted at London Fashion Week in spring/summer 2009, with the support of the British Fashion Council. Despite it being a small collection of only nine dresses, Katrantzou picked up 15 prestigious stockists including Browns, Joyce, and Colette. The designer received show status in 2009.

New Artist: Matt Pyke


Transfiguration, 2011, was created by Matt Pyke together with Realise Studio for the reopening of the prestigious digital arts gallery La Gaite Lyrique, Paris. A bulky human figure walks at a brisk equalized speed at the center of the screen and transforms in a cycle of progressively transient and surprising materials. We watch how flames grow into metal structures that transform into rock-like matter, out of which icy crystals spring. After numerous further transformations, the walking giant takes on liquid qualities, then becomes gas, and in turn transforms into a perfectly depicted fury figure out of innumerable strands of multi-colored hair; and so on.

The work is available in editions of 1,000 starting at £10 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.

Matt Pyke 

Matt Pyke (b.1975) is one of the most innovative digital-motion artists of his time. Pyke’s body of work, which explores the tensions between abstract and figurative form and the synesthesia of sound and image, encompasses a striking diversity: it ranges from interactive design and branded art to shop installations and iPhone applications, and it is reflected in collaborations with a large variety of companies such as Apple and AOL. Pyke has engaged in artistic partnerships and worked on commissions for leading art institutions, including for the V&A Museum, London, in 2008. He is also the mastermind behind design studio Universal Everything, a collective of designers, programmers, musicians and artists who are famous for their boundary-pushing commissions for brands like Chanel, MTV, and London’s 2012 Olympics.

New Editions: Liu Ye and Siu Jianguo

In December, s[edition] is proud to have announced the release of two new editions by Chinese contemporary artists Liu Ye and Sui Jianguo. Art Radar explored their creative process as painters and sculptors and their first experiences working in the digital medium with s[edition]. Read the article here: Asia market perfect for digital art? [s]edition takes on Chinese artists. We hope to see more work from these artists in digital format soon.


1,000 Pounds by Sui Jianguo

1,000 Pounds by Sui Jianguo

1,000 Pounds reminds aesthetically of Sui Jianguo’s early sculpture of a more organic abstract character and choice in materials, as was typical of his work in the early 1990s. In addition, 1,000 Pounds references the most classic practice of modern sculpture itself: the dedicated modelling and remodelling by the artist’s hand. Auguste Rodin made his name when he decided to move away from the Baroque and neo-Baroque smooth surfaces of 19th century sculptural tradition. He opted for textured surfaces and the extreme interplay of light and shadow – made possible by strong modelling techniques that did not obscure the expressive impact of the artist. In its entirety, 1,000 Pounds seems to convey exactly this: the physical impact of the hand onto the clay, the concreteness of the flesh, the brutality contained within the act of forcing the bare earth into a shape decided by the sculptor.

Upon completion, 1,000 Pounds was cast by Sui Jianguo into bronze. It exists as a artwork in its own right and physical form.

The work is available in editions of 1,000 starting at £5 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.

Sui Jianguo

Sui Jianguo (b. 1956 in Qingdao, Shandong province) received a BA in the Fine Arts Department from the Shandong University of Arts in 1984 and an MA in the Sculpture Department from the China Central Academy of Fine Arts in 1989, where he currently presides as the head of the Sculpture Department. He has been praised by art critics for being a “pioneer venturing to the farthest reaches of Chinese sculpture.”


Red Warship

Red Warship by Liu Ye 

Liu Ye’s Red Warship is a digital reference to Liu’s 1997 oil painting, Spirit of the Sea,and comprises many of the themes typical of the artist’s oeuvre: we find homage to Piet Mondrian, characters depicted are rendered in a puerile style, we see sailor hats and angel wings simultaneously. It is a prime example of how Liu likes to play between mysterious fantasy and episodes of complex storytelling and art historical references.

The work is available in editions of 1,000 starting at £5 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.

Liu Ye

Liu Ye (b. 1964) is one of China’s most prominent contemporary painters. He is famous for his bright-hued paintings of childlike figures, the cartoon character Miffy the bunny, and works referencing one of his favourite artists – Piet Mondrian. He has an immediately recognizable style that is described as simple to read yet complex in its levels of meaning and technique. Liu: “What I do is about painting and art history. Chinese aesthetics have a traditional system, history, very high quality and taste, different from Western taste but quite meaningful in our time”.

AES+F: Islamic Project collection

In December, s[edition] released three editions as part of AES+F’s Islamic Project collection.

All three works are available in editions of 500 starting at £5 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.

Find out more about the collection here:

Islamic Project

In 1996, AES+F launched “Travel Agency to the Future: Islamic Project” – a conceptual art piece that not only catapulted the artist collective to prominence but gained in controversy after 2011. Images of famous landmarks and tourist destinations were digitally altered to look as if taken over by a radical and backward form of Islamic culture. In conjunction, AES+F set up a travel office where souvenir items were sold with these images printed on them, and where visitors could “plan” a fictional holiday into the depicted world. Read more >

New Liberty

New Liberty

AES+F’s “Islamic Project” is key when looking at the artists’ oeuvre, and New Liberty in particular is the most iconic images of the series. Framed as a “visualization of fears of Western society about Islam”, the digitally altered photograph of a burka covered Statue of Liberty could not have more of an impact when wanting to amuse, disturb and raise questions with the viewer all at the same time.



Beaubourg, part of AES+F’s “Islamic Project” series, depicts the Centre Pompidou, Paris, obliterated by oriental carpets, various types of Middle Eastern looking architecture, and a large headdress wearing crowd. The image is to represent stereotypical fears of what radical Islam is and might become in a world dominated by politically loaded myths. By juxtaposing extremes the artist collective aims to highlight the absurdity of suchlike world views.



AES+F’s London is part of its “Islamic Project” series intended to reveal the absurdity behind modern “Clash of Civilization” theories, as made popular by the political theorist Samuel Huntington in the mid 1990s. The artist collective’s strategy is to take stereotypical views of cultures and to exaggerate them by creating a visual ‘worst case scenario’ of exactly these ideas – and to therewith demonstrate their absurdity.


AES+F was formed in 1987 by conceptual architects Tatiana Arzamasova and Lev Evzovich, and graphic artist Evgeny Svyatsky. The trio has worked together on various sculptural, digital and installation-based projects, from digital collage to porcelain, fiberglass sculpture to public installation. In 1995, Moscow-born fashion photographer Vladimir Fridkes began collaborating with AES group, forming the ‘F’ in AES+F. The collective achieved worldwide recognition and acclaim in the Russian Pavilion at the 2007 Venice Biennale with their provocative, otherworldly Last Riot, the first in a trio of large-scale, multi-channel video animations of striking originality that have come to define both their aesthetic and push the boundaries of video installation.

Wim Wenders: Places Strange and Quiet series

During the month of December, s[edition] released six new editions by filmmaker and artist Wim Wenders as part of his Places Strange and Quiet series. The series includes nine photographic works from his explorations for his films around the world. Find out more about the editions here:

Places Strange and Quiet series

Wim Wenders’ “Places Strange and Quiet” series refers to a selection of forty photographs taken by the artist between 1983 and 2011 while location scouting for his films or simply traveling the world for travels’ sake. The collection features everything from industrial “beaches” in Palermo, Sicily, to abandoned fun fairs in Armenia. Wenders: “When you travel a lot, and when you love to just wonder around and get lost, you can end up in the strangest spots. … I don’t know, it must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.”

Open Air Screen

Open Air Screen

During a trip to Palermo, Sicily, in 2007, Wenders took several photographs that became part of his “Strange and Quiet Places” series, including Open Air Screen. The image depicts an empty outdoor movie theatre where a crowd of abandoned bright orange chairs is assembled as if they were a conglomeration of spectators. In their accumulation and same orientation, the chairs seem anthropomorphous, attracted by the empty bare stone screen.

The work is available in editions of 1,000 at just £5.


Sun Bather

Sun Bather

Not a single thing depicted in Sun Bather seems to make sense when considered in connection to another. In Wenders’ own words: “‘Nothing exists without its opposite.’ (Who the heck said that?) But what could the opposite of this be? And where would it exist? I couldn’t help thinking that this “beach scene” in Palermo was already part of a parallel world.”

The work is available in editions of 1,000 at just £5.

Ferris Wheel

Ferris Wheel 

Ferris Wheel is typical of Wenders’ desolate solitudes. The photograph was taken during his travels through Armenia in 2008, where the artist came across an abandoned defective ferris wheel in the middle of an empty field. Wenders explains that photography allows him to focus on a place rather than people – unlike film. And yet, once places “speak”, they speak of “all those (people) who once were there, who lived there, who passed through, and who messed something up”.

The work is available in editions of 1,000 at just £5.

Street Corner in Buttle

Street Corner in Buttle 

Street Corner in Buttle, taken in 2003 in Montana, USA, is of an exceptional painterly sensibility and composition that almost seems uncanny: the slightly tilted lamp post breaks the picture’s vertical alignment perfectly, the red fire hydrant creates a central focus point that pulls all other aspects of the image together, the stark contrast that renders the shadows black balances out the use of colour with Mondrian-esque sophistication.

The work is available in editions of 1,000 at just £5.

Onomichi Sunset

Onomichi Sunset

In 2005, Wim Wenders traveled from Tokyo to Onomichi, taking the reverse journey undertaken by the protagonists of Wenders’ favourite film: “Tokyo Story” by Yasujiro Ozu, 1953. In the movie, an old couple from Onomichi visit their children in Tokyo one last time, after which the wife dies upon their return home and the husband is left alone.

The work is available in editions of 1,000 at just £5.

Wim Wenders

Wim Wenders (1945, Düsseldorf, Germany), is best known for his work as a film director and is one of the most important figures of the New German Cinema period, which emerged in the 1970s. As well as creating iconic films, the artist works with the medium of photography and addresses themes of memory, time, loss and movement.

Wenders studied medicine and philosophy before settling in 1966 as a painter and engraver in Montparnasse, Paris. His career as a filmmaker began in 1967, when he enrolled at the newly founded Academy of Film and Television, Munich. In the late 1960s he made several short films, which were influenced by American artists including Andy Warhol; these were characterised by their long and uneventful scenes.


25 Days of Inspiration: Holiday Countdown

For the holidays, s[edition] will be sending out 25 emails to our members with an artwork from s[edition] to promote the spirit of giving during the holiday season. From the 1st to 25th Dec 2012, we will send out one email per day with an artwork which will be accompanied by an inspirational quote from the artist. Get the chance to win a free artwork by sharing the artwork on Facebook. Join our Facebook page and get 25 chances to win:

To join our mailing list, simply sign-up to s[edition] at:

We began our 25 inspirational emails with Tracey Emin’s This is My Favourite Little Bird. All proceeds for this work will go to supporting the NSPCC.

“All my work is about emotion. It is about feeling, subjection, and witnessing. It’s personal and it isn’t cathartic, but it is a means for me to express myself.”
– Tracey Emin

Tracey Emin

New Editions: Wim Wenders

Armenian Alphabet

s[edition] is pleased to announce the release of three new editions from Wim Wenders as part of his Places Strange and Quiet series.

Wim Wenders’ Places Strange and Quiet series refers to a selection of forty photographs taken by the artist between 1983 and 2011 while location scouting for his films or simply traveling the world for travels’ sake. The collection features everything from industrial “beaches” in Palermo, Sicily, to abandoned fun fairs in Armenia. Wenders: “When you travel a lot, and when you love to just wonder around and get lost, you can end up in the strangest spots. … I don’t know, it must be some sort of built-in radar that often directs me to places that are strangely quiet, or quietly strange.”

All three editions are available in editions of 1,000 just at £5. Get them now on s[edition].

New Artist: Angelo Plessas

Eyes and Flowers

s[edition] is pleased to announce our latest artist launch – Angelo Plessas. The Greek/Italian digital artist has teamed up with s[edition] to release The Angelo Plessas Collection, which includes 5 of his limited digital editions as part of our our dynamic pricing structure.

Angelo Plessas’ main medium is the internet. He uses it to explore the duality of virtual realities and virtual lives composed and conducted by real people in a real world. Plessas: “The internet could be called a monument to an ever-changing present. (It) appropriates time in an interesting way, and I am fascinated by (how humans behave in order to deal with this appropriation).”

Plessas’ main oeuvre constitutes of interactive websites whose domain names serve as simultaneous titles and a references to physical locations. These websites are designed in a stark graphic style of bold geometric forms and shapes. They are typical of the artist’s overall aesthetic – regardless whether virtual or visible in a gallery space.

The works are both available in editions of 1,000 starting at £5. The entire collection can be purchased at £20 (at a discount of 20%). The prices of the editions will increase as they it sell out – so get them early!

New Editions: Microbe and Pike by Jacco Olivier


s[edition] is pleased to announce our latest artist launch – Jacco Olivier. The Dutch artist has teamed up with s[edition] to release two of his works Microbe and Pikeas part of our our dynamic pricing structure.

Jacco Olivier’s work merges traditional Abstract painting with video animations that document the interplay between representation and abstraction. Though he considers himself a painter, his work is the documentary of the process of painting where he photographs every stroke in every stage of the process to create movement and animation of the painting in its creation. Oliver explains, “I like to enter a painting from the front and leave at the back, to record the things that happen between the layers.”

The films that result from this documentation process are rapturous animations of narrative episodes. A man bathes, an airplane lands, a woman wraps herself into a towel. The viewer is presented with an intimate display of the painter’s trade and decision making process as Olivier exposes every change to his composition.

The works are both available in editions of 1000 starting at £10 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.

New Edition: Reincarnation by AES+F


AES+F‘s unique aesthetic is famous for its hypnotic appeal, classical beauty, multilayered narrative, and alienation. With their latest project, Reincarnation, created in collaboration with Wallpaper* magazine, the Russian artist collective completes their trilogy about the modern world: heaven, purgatory and hell.

The work is based on Giovanni Bellini’s Allegoria Sacra depicting purgatory: unchristened children, figures of the Old and New Testament and ancient mythology meet in a modern international airport where grounded passengers are suspended between time and place. AES+F reinterpret the painting by transporting the characters into a hyper real future where they combat with recognizable themes of the modern world.

Reincarnation is an extract from the complete film, Allegoria Sacra. The work’s overarching themes include obsession with beauty, youth, luxury, and society’s avoidance of moral and ethic responsibility all unfolding in a stunning, yet grotesque dance to baroque choral music.

The work will go on sale today as an edition of 1,000 for £50.


Image (c) AES+F, courtesy of s[edition]



New Edition: Nihilistic Optimistic by Tim Noble & Sue Webster

To coincide with their new solo exhibition at Blain|Southern London Hanover Square, Tim Noble & Sue Webster have created a digital limited edition of a brand new artwork sold exclusively through s[edition] including our new dynamic pricing model.

Nihilistic Optimistic is the British duo’s eighth collaboration with s[edition]. The artwork references the duo’s latest exhibition at Blain|Southern of the same name. The edition offers an opportunity for those who attend the show to own an affordable exclusive work by Tim Noble & Sue Webster.

A fittingly dualistic title, Nihilistic Optimistic responds to the oppositional forces present within their works, and indeed within the artists themselves. Here, cool flickering neon lights oscillate to illuminate the two words and indicate a paradigm, which is at once constructive and destructive, hopeful and despairing with the alteration of the neon. Light and shadow, figuration and abstraction co-exist in a constant state of tension as the words materialise and then disappear before our eyes.

The work will go on sale Tuesday 9 October, as an edition of 500 for £5 along with the continuation of s[edition]’s new dynamic pricing model. To reward early collectors, Nihilistic Optimistic will be available for as low as £5. The price of the artwork will then steadily increase as editions become scarcer.

Nihilistic Optimistic will be on view at Blain | Southern London Hanover Square from 10 October – 24 November 2012.


Keep checking back for images from tonight’s opening!


Image (c) Tim Noble & Sue Webster

New Edition: After Twombly… One Evening by Idris Khan


s[edition] is pleased to announce our latest artist launch – Idris Khan. The Britsh artist has teamed up with s[edition], the world’s leading platform for digital limited editions, with his latest work After Twombly…One Eveningas part of our our dynamic pricing structure.

 In After Twombly… One Evening, Idris Khan references one of his greatest influences: Cy Twombly. From the late painter’s canvas to the words of a nearly illegible poem connected to Twombly, Khan’s work is a true homage to the recognizable calligraphy style of one of the most revered contemporary American painters of the 20th Century.

After Twombly… One Evening is a digital chalk drawing that plays with surface and texture as it subtly self-alters in continuous hazy clouds. The changing dust patterns prevent the viewer from reading the entirety of the poem, as if the words conceal the work’s hidden meaning. While connecting the viewer with a celebratory painting that comes to life before their eyes, the work simultaneously evokes the sombre reality of Twombly’s recent death in 2011. Khan said the following about his inspiration for the work:

I wanted to capture every part of the process of making this photograph. So that when my final composition was made it included every trace and erasure of that trace whilst trying to create an unreadable language. I wanted the writing to become free and live beyond the word that it started at. What is captured in the video is the duration of the writing and the duration of the removal

Idris Khan is also featured in the November edition of Vanity Fair as part of a larger article on s[edition].

The work is an edition of 1000 starting at £10. After Twombly… One Evening is also part of s[edition]’s dynamic pricing model. As edition availability decreases the price of the work increases.


New Edition: Symphony by Bharti Kher

s[edition] is pleased to announce our latest artist launch – Bharti Kher. The Indian artist has teamed up with s[edition] with her latest work Symphonyas part of our our dynamic pricing structure.

 Bharti Kher’s work encompasses painting, sculpture and installation. Among her signature materials, she uses ready-made, colored vinyl bindis to create spectacularly vibrant paintings. The bindi takes its name from the Sanskrit word “bindu,” or dot. Since first appearing in her work in 1995, the bindi has telegraphed aesthetic and cultural duality, and a means to mix the superficial with the sublime.

Many people believe it’s a traditional symbol of marriage while others, in the West particularly, see it as a fashion accessory,” Kher has explained. “But actually the bindi is meant to represent a third eye – one that forges a link between the real and the spiritual-conceptual worlds.”

In Symphony the thousands of differently coloured bindis form fireworks and swirls of movement, which vibrate in the eyes of the viewer.

The work is an edition of 1500 starting at £10. Symphony is also part of s[edition]’s dynamic pricing model. As edition availability decreases the price of the work increases.

Keep checking back for your chance to win a signed copy Bharti Kher’s latest book, coinciding with her current exhibition at Parasol Unit Foundation, courtesy of s[edition] and Hauser & Wirth.

What Do You Want to Do Before the End of the World?


To coincide with their Fall/Winter 2012 Garage Magazine cover and Louis Vuitton exhibition, Elmgreen & Dragset countdown to the end of the world with a digital limited edition of a brand new artwork - The End Is Always Nearer, 2012.

The End Is Always Nearer, 2012 is the duo’s third collaboration with s[edition] and just like the work itself collectors are truly racing against the clock with the introduction of a new dynamic pricing model. The 11.11 countdown parodies the most well known doomsday date of modern time – the supposed end of the world at 11.11am Mexican time on 21.12.2012 according to the Mayan calendar. The date is presented as a timed bomb about to blow up a safe, but what is kept secure – or contained – and what will be revealed after the explosion, the artists leave us to speculate about. Elmgreen & Dragset said the following about the inspiration behind the edition:

 We as human beings have at all times to try to do whatever we can to protect ourselves against potential catastrophes, and to protect what is valuable to us, however the ‘big disaster’ is always lurking around the corner.

The work will go on sale today as an edition of 500 along with the continuation of s[edition]’s new dynamic pricing model. To reward early collectors, The End Is Always Nearer, 2012 will be available for as low as £5. The price of the artwork will then steadily increase as editions become scarcer.

Like previous collaborations with s[edition], including Powerless Structures, Fig. 101, their famous Fourth Plinth sculpture on view in the heart of London’s Trafalgar Square, Elmgreen & Dragset have created The End Is Always Nearer, 2012 as their own digital interpretation of the physical artwork. From 16 September 2012, The End Is Always Nearer will be on show at the Louis Vuitton London Flagship along with other original works.

On 21 September, Elmgreen & Dragset will also open their highly anticipated solo exhibition, Harvest, at Victoria Miro in London.


New Edition: Holophon by Steven Claydon

s[edition] is pleased to announce our latest artist launch – Steven Claydon. The British artist has teamed up with s[edition] with his latest work Holophon  to introduce our dynamic pricing structure.

 Holophon is a powerful example of how Claydon creates bizarre hybrids out of multiple familiar concepts: an object that looks like a handmade clay pot, reminiscent of ancient cultures, is dimly lit against a pitch black background as if on display in an archaeological museum. However, the object seems translucent: its representation reminds us of holograms with a three-dimensional feel, and the deep tribal background sounds catapult the image into a sphere where it appears sacred. “I was really interested to see what would happen if I tried to reanimate an artifact with cultural significance in the digital realm,” says Claydon. All at one time, Claydon evokes the concepts of history, tradition, archiving, exhibiting, collecting, high and low culture, pop and classicism, as if to create a shamanic object reflected in pixels across our screen demanding our reverence.

Realizing the convergence of the technological and physical art worlds, Claydon embraces s[edition]’s concept of selling digital limited editions as artists begin to experiment these new tools and mediums.

I am aware of limitations of making physical objects. For me it is exciting that you can have an idea in the morning and can turn it into an object by the following day…s[edition] will become ever more apparent as art exists in digital form in the digital realm,” says Claydon.

The work is an edition of 500 starting at £10. Holophon also marks the beginning of s[edition]’s dynamic pricing model. As edition availability decreases the price of the work increases. Simply said, the earlier you buy the less you pay, so make sure to purchase early!

Keep checking back for a chance to win a signed exhibition catalogue from Steven Claydon’s first Uk public exhibition – Culpable Earth!