In December, s[edition] is proud to have announced the release of two new editions by Chinese contemporary artists Liu Ye and Sui Jianguo. Art Radar explored their creative process as painters and sculptors and their first experiences working in the digital medium with s[edition]. Read the article here: Asia market perfect for digital art? [s]edition takes on Chinese artists. We hope to see more work from these artists in digital format soon.

1,000 Pounds by Sui Jianguo
1,000 Pounds reminds aesthetically of Sui Jianguo’s early sculpture of a more organic abstract character and choice in materials, as was typical of his work in the early 1990s. In addition, 1,000 Pounds references the most classic practice of modern sculpture itself: the dedicated modelling and remodelling by the artist’s hand. Auguste Rodin made his name when he decided to move away from the Baroque and neo-Baroque smooth surfaces of 19th century sculptural tradition. He opted for textured surfaces and the extreme interplay of light and shadow – made possible by strong modelling techniques that did not obscure the expressive impact of the artist. In its entirety, 1,000 Pounds seems to convey exactly this: the physical impact of the hand onto the clay, the concreteness of the flesh, the brutality contained within the act of forcing the bare earth into a shape decided by the sculptor.
Upon completion, 1,000 Pounds was cast by Sui Jianguo into bronze. It exists as a artwork in its own right and physical form.
The work is available in editions of 1,000 starting at £5 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.
Sui Jianguo
Sui Jianguo (b. 1956 in Qingdao, Shandong province) received a BA in the Fine Arts Department from the Shandong University of Arts in 1984 and an MA in the Sculpture Department from the China Central Academy of Fine Arts in 1989, where he currently presides as the head of the Sculpture Department. He has been praised by art critics for being a “pioneer venturing to the farthest reaches of Chinese sculpture.”

Red Warship by Liu Ye
Liu Ye’s Red Warship is a digital reference to Liu’s 1997 oil painting, Spirit of the Sea,and comprises many of the themes typical of the artist’s oeuvre: we find homage to Piet Mondrian, characters depicted are rendered in a puerile style, we see sailor hats and angel wings simultaneously. It is a prime example of how Liu likes to play between mysterious fantasy and episodes of complex storytelling and art historical references.
The work is available in editions of 1,000 starting at £5 and are part of s[edition]’s dynamic pricing model – as edition availability decreases the price of the work increases.
Liu Ye
Liu Ye (b. 1964) is one of China’s most prominent contemporary painters. He is famous for his bright-hued paintings of childlike figures, the cartoon character Miffy the bunny, and works referencing one of his favourite artists – Piet Mondrian. He has an immediately recognizable style that is described as simple to read yet complex in its levels of meaning and technique. Liu: “What I do is about painting and art history. Chinese aesthetics have a traditional system, history, very high quality and taste, different from Western taste but quite meaningful in our time”.